1404

Datong is a key city where cultural integration was most prosperous in Chinese history, possessing an urban essence of multiple civilizations colliding and coexisting. Through a visual composition of scattered splicing and overlapping of void and solid, the work eliminates the boundaries of time and space, constructs a visual dialogue and imagination between history and reality, and allows the profound historical context to resonate and coexist with the vibrant contemporary urban landscape. The overall design employs avant-garde experimental visual language to interpret the new imagination of Datong, which embodies the concept of «integration of ancient and modern, and coexistence of diversity».