1846

This work interprets the regional style and features of Mount Huangshan Mountain in the form of flat Chinese style illustrations, integrating traditional Paper Cuttings and modern plane composition language. The picture selects representative symbols such as Mount Huangshan strange stones, welcoming pines, Hui style white walls, Dai tile ancient dwellings, and ancient pagodas, and uses high saturation red, orange, blue, and green colors to create a landscape space with rich layers.
The juxtaposition of natural landscape and Huizhou humanistic architecture reflects the symbiosis of Mount Huangshan natural wonders and Huizhou culture. Abandoning the complexity and realism as a whole, the oriental artistic conception is shaped with simple blocks. The combination of traditional visual elements